I recently joined the DSLR video revolution (see my post: “converted in vegas”) and have been shooting full 1080p HD video on a Canon 7d. I’m loving the images and I’m putting up with the funky workarounds. (Note: these cameras were not designed for shooting video. Yes, they make great pictures, but there’s a bit of voodoo needed to make this technological alchemy work.)

When I called this a revolution, I wasn’t overstating the case. These relatively cheap “stills” cameras are attacking the establishment’s traditional video cameras and blowing them away with incredible results. Kinda like a video tea party.  You gotta love a good revolution, but I’m warning you, there’s a dark side and I’m here – as a lone voice crying out in this unmapped territory – to at least warn of the very real danger lurking seductively in the shadows.   Don’t blame me. You’ve been warned. [Read more →]

My right shoulder has been proud to hold a wide array of cameras — first were the CP-16, Eclair ACL2 and Arri-BL film cameras, then the RCA TK-76 and Ike HL-79. Finally came the death of 3/4″ and a long series of better and better Sony Betacams. Then digibeta cameras and various DVCPro configurations. Now I use a Sony XD HD that makes pretty pictures but it has something in common with all of the other cameras I have traveled the world with:  they’re big.

Today I just worked to get a small high-def camera for an upcoming shoot. It’s amazing… low light capability, tape or flash drive recording, a real lens. Pop that baby on a carbon fiber tripod and slap a micro led light panel on the hot shoe; attach a mini wireless receiver and you’re set to make great broadcast TV and everything can fit in a carry on bag!  I love it!

My shoulder can still support the big cameras, but for all of my international and disaster stuff – give me the small camera, please.